Site icon Alexandra Kirsch

Diana Vreeland: The Eye Has to Travel

Diana Vreeland by Horst P. Horst.

I have a farkakte sense of style. Mismatching for the sake of comfort has become my shtick. Thankfully, to enjoy the new Diana Vreeland documentary, one does not need to understand fashion so to speak, but must instead appreciate it with a thirst for self-expression and originality. It’s not about being the first, but it’s about recognition of the greats.

A trend-setter in every which way, Diana — and her memory as it has been sustained — was an inspiration to women, climbing to the top-most editorial ranks at publications like Harper’s Bazaar and Vogue — the quirkier Anna Wintour. Wintour is veiled by the same bob and sunglasses, we see little life behind her. Vreeland lived through each role with — what was explained by icons like Angelica Huston, Manolo Blahnik, Hubert de Givenchy, Diane von FurstenbergMissoni, Oscar de la Renta, and Simon Doonan — an energy so dynamic that everyone wanted to be part of her “in” crowd.

The one-liners delivered in this just-over-90 minute documentary are worth the $13 ticket alone, but the wisdom and the inspiration are beyond value. I left the theater — my usual City Cinemas 1, 2, 3 — feeling energized and motivated to do something and be more of a someone. To share, with less of a filter — but let’s face it, I’m in PR — my opinions on my industry, on the tools and my predictions of where it’s all heading. Unapologetic, raw and yet so refined, Diana Vreeland set the example of culture and class, and so this film is a must-see. Her life, even after her death, is an ode not just to fashion, but to culture ongoing, and to love of life and New York.

For more on Vreeland and her remaining estate, visit the Diana Vreeland site, and follow her estate on Twitter.

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